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INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 20 - Issue 3

LISTEN TO THE MOCKINGBIRD: An Interview with Director/Producer Laurie Durrett, Mockingbird Productions


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 20 - Issue 4

EVERYTHING OLD IS NEW AGAINorHOW TO RECYCLE YOUR WRITING & GET AWAY WITH IT


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 20 - Issue 5

A DRAMA DOWN UNDER: An Interview with Playwright Christina Hamlett by Director Paula Carter


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 20 - Issue 6

HOW TO BE AN EXPERT: Or Just Write Like One


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 20 - Issue 8

This month: TIME AS WE KNOW IT. Good timing is an important element of good storytelling.


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 20 - Issue 9

This month: Islands in the Stream (of Consciousness)


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 20 - Issue 10

This month: READING BETWEEN THE LINES(Part One)


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 20 - Issue 11

This month: READING BETWEEN THE LINES(Part Two)


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 20 - Issue 12

This month - LITTLE PONDS/BIG PONDS:Look Before You Leap


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 21 - Issue 1

This Month: Where There's a Will, There's a Play (& probably a film and a novel, too)


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 21 - Issue 2

This Month: RIGHT MESSAGE/WRONG MEDIUM


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 21 - Issue 3

This Month: CURSE OF THE DEAD CELEBRITIES, Part I


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 21 - Issue 4

This Month: CURSE OF THE DEAD CELEBRITIES, Part II


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 21 - Issue 5

This Month: STRANGER IN A STRANGE LAND --Pitching Your Project to Foreign Markets


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 21 - Issue 6

This Month: TEN ITEMS OR LESS (or WHERE THE PLOTS ARE...)


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 21 - Issue 8

This month - OF GLASS SLIPPERS & GLASS CEILINGS:An Interview with Carolyn Miller


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 21 - Issue 9

This month: COPS, ROBBERS, & THE WRITERS WHO LOVE THEM


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 21 - Issue 11

This Month: DONíT TOUCH THAT DIAL!HOW TO WRITE SHORTS THAT WILL KNOCK THEIR SOCKS OFF


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 22 - Issue 1

This Month: Is It Yours for the Taking?(Pt. 1) also: Announcing the HERITAGE SQUARE 2004 PLAYWRITING CONTEST


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 22 - Issue 3

This Month: Is It Yours for the Taking?(Pt. 2) also: Announcing the HERITAGE SQUARE 2004 PLAYWRITING CONTEST


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 22 - Issue 4

This Month: TAKING THE SHOW ON THE ROAD - How Playwrights Can Get a Reading, Find an Audience, and Perform a Community Service. plus: Announcing the HERITAGE SQUARE 2004 PLAYWRITING CONTEST


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 22 - Issue 5

This Month: THEY SHOOT INDIES, DONíT THEY? Part 1


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 22 - Issue 7

This Month: THEY SHOOT INDIES, DONíT THEY? Part 2


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 22 - Issue 9

This month: HOW TO ENDEAR YOURSELF TO THE EDITING DEPARTMENT


INKLINGS: Writing Well & Profitably for Books, Film, and Stage

Vol. 22 - Issue 10

This Month: SCREENWRITING EXPO 2004 - Interview with event coordinator Erik Bauer


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